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Lizzie Winkler does a lovely comic turn as Anne's Versace Belt Medusa Head Gold
A gem of a production From Salisbury Journal
re read Jane Austen's final novel Persuasion prior to my theatre visit on Friday, I was reminded how little satire there is compared to her other works. Is
hypochondriac sister Mary and Simon Chandler is masterful as her sycophantically unsympathetic father, Sir Walter Elliott, all simpering smiles.
anything lost in this?
Aside from these roles all the cast impress, from Lydia Larson's shallow Louisa whose fall on the Cobb Gucci Belt Amazon
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Watson's multi level set design that morphs from the opening deck of a ship, to the drawing room of Kellynch Hall to the Cobb at Lyme Regis, a concert hall and the iconic pillars of Georgian Bath.
direction sees the pair snatching glances, a look or a hand gesture, after all this is Jane Austen country, as their love quietly simmers.
Marianne Oldham inhabits her role as the self sacrificing yet intelligent heroine, Anne Elliott, with Tim Delap suitably dashing as her former lover Frederick Wentworth. Kate Saxon's inspired
Not a bit of it, the cast of 10 manage admirably, doubling and in some cases trebling their roles seamlessly, fluidly and never once detracting from the unfolding drama. They are helped by Libby
proves the catalyst to some lovely cameos such as Stephen Billington as a Gucci Belt Quality fine singer.
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